Art glass window by Marion Mahony Griffin
Practical Writing: English 320

Unit 1:
Job Packet

Purpose of the Course:
English 320 is a course in professional communication focusing on workplace written, oral, visual, and collaborative communication; therefore, the objectives of this course are to help you learn to respond to a variety of workplace writing tasks by designing appropriate documents and presentations, individually and in teams. I know I can't duplicate a work environment in this classroom, but the goal is to provide activities, assignments, and opportunities that will develop skills and habits you will need in corporate, non-profit, or small business environments.

Course Objectives:
Throughout the course, I will stress the following concepts:

  • the importance of audience analysis for creating effective communication
  • the importance of not only knowing audience, but considering the entire rhetorical situation: situational/organizational constraints, reader needs, and communicator purpose
  • the importance and impact of visual rhetoric
  • the ethical issues involved in workplace communication
  • the rhetorical complexity of workplace communication
  • the importance of revision and peer input in creating a professional finished product
  • the usefulness (and necessity) of collaboration in workplace teams

Texts, Materials, and Expenses:
TEXTS:

  • Flynn, Nancy, and Tom Flynn. Writing Effective E-Mail. Menlo Park, CA: Crisp Publications, 1998.
  • Graber, Steven. The Everything Get-A-Job Book. Avon, MA: Adams Media Corp., 2000.
  • Mandel, Steve. Effective Presentation Skills, 3rd Ed. Menlo Park, CA: Crisp Publications, 2000.
  • McGourty, Jack and Kenneth P. De Meuse. The Team Developer. New York: John Wiley & Sons, 2001.
  • Williams, Robin. The Non-Designers Design Book. Berkley, CA: Peachpit Press, 1994.

 

OTHER EXPENSES:

  • You will need to present materials professionally when you turn in final projects to me or a client. This will incur costs.
  • You will need to provide draft copies of your work for peer review.


A NOTE ON TEXTS:
In addition to the assigned texts, you are responsible for all assigned secondary material linked to our on-line course calendar. Be certain to check this weekly for readings, assignments and due dates. Expect weekly quizzes. They will likely come directly from the books and will occasionally ask you to apply what you’ve learned in your reading. These will help keep you aware of your progress in understanding the material we’re reading.


Assignments and Grading:
All projects will be graded on a point scale, from a total of 1000 points —910-1000= A; 810-909= B; 700-809=C; 600-699=D; below 590=F. Keep track of your points and you will know how you are doing in the class.
Grading:

  • A means truly excellent work—exceeding expectations in all areas
  • B means very strong work that exceeds expectations in several areas
  • C means work that adequately completes the assignment
  • D reflects work that does not adequately meet the assignment in one or more areas
  • F means you did not turn in work

All assignment packets include explicit criteria and grading rubrics for individual projects.

Format for written assignments:
Out-of-class assignments, major and minor, must be typed and must show attention to the needs of your audience (that means the form and format will vary, but they must be appropriate, and usually within the conventional norms for the type of document you're designing). Major projects must be professionally presented—that means how they look, what they're made of, how they are printed, count. I require that you always print a copy of your document for your records. Never hand in your only copy of a document. In addition, have a copy in your computer file and have a copy on a backup disk. This is for your own protection in case of lost projects—these projects require much time and effort.

Attendance:
I assume you will be here, and plan my class based on the assumption that you will each be here, prepared for class. If you can't be here because of another commitment, you'll need to take another section of this course that meets at a more convenient time for you. As at a job, much of what we do in class is collaborative in nature, so absences hurt those people counting on you, as well as hurt your ability to complete your work. I will excuse one sick day and one personal day each semester. The sick day is excused if followed (the next class period) by a memo, the personal day is excused if preceded by a memo—in correct memo form. I will not remind you to get this to me.

In case of family emergency or serious illness, contact your advisor or the office of Dean of Students as soon as possible. Either will provide excuses to all your teachers—no memo required. Absences for official university business must be cleared well in advance to be excused. If you miss more than a week of class, unexcused, your grade will drop one letter grade for every two absences and after three weeks of missed class (6 classes) I will remove you from group work and ask you to drop the course. I am very serious about this—not attending class is the most common reason for failing this class.


Due Dates and Revision:
Because I advocate a process approach to designing rhetorically appropriate documents, I expect you to rethink and revise documents throughout the semester. Therefore, I can be flexible on the due dates for major assignments. The projects are large, though, and I don't want you to be scrambling to complete all of them during finals week, so I've included some due dates on the assignment sheets to help you plan your time. However, the small assignments are designed to help us (you and I) evaluate your progress on the major assignments; therefore, I'll want at least drafts of them by the due dates on the assignment sheets. Please turn in projects in class or during office hours, and not into my mailbox, or under my door, or anyplace else where they might be misplaced.

All work is due on the last regular day of class. No work or revisions will be accepted after that time except under extraordinary circumstances.

Any assignment you do in this class may be revised; in fact, I encourage revision. But if you choose to revise an assignment, you must turn your revision in with a one-page memo describing for me the changes you made and explaining why you feel those changes significantly improve your document. A good revision memo will cite your texts or online sources to support your reasons for the changes you’ve made.


Plagiarism:
I assume all the work you turn in will be your own. This doesn't mean that I do not encourage you to collaborate with others in this class, or get input or feedback from other class members or outside sources. But the work you turn in must be yours and must cite secondary sources in a manner consistent with NDSU University Senate policy, Section 335: Code of Academic Responsibility and Conduct.

Special Needs:
If you have any disabilities or special needs, or need special accommodations in this course, please share your concerns or requests with me as soon as possible.

Class Calendar
This is where you will find info on the day-to-day course activities: calendar.
Contact Classmates
This is where you will find info on how to contact your classmates: address book.

Notes on Unit #1:

This is where you will find info to help you complete the assignments in unit one, samples, handouts, etc.: Notes.

Unit 2:
Web design

Notes on UNIT #2:

Here is where you will find links to pages, etc. about web design for your work on unit 2: Notes.

Unit 3:
Consulting Proposal

Unit 3: Notes

Here is where you will find worksheets and info on grants for this unit:

Sample proposal

Proposal Logic

 

 

 

 

 


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Elizabeth Birmingham
Assistant Professor, Department of English
320J Minard Hall
North Dakota State University
Fargo, North Dakota 58105

Office: (701) 231-6587
e-mail: Elizabeth.Birmingham@ndsu.nodak.edu

Prospective students may schedule a visit by calling: 1-800-488-NDSU.

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