|
Syllabus:
Women's Studies 350
Elizabeth Birmingham (Betsy)
Office: 320 J Minard Hall
Phone: Office231-6587 Home293-1065
email: Elizabeth.Birmingham@ndsu.nodak.edu
web site: http://www.ndsu.nodak.edu/ndsu/birmingh
Office hours: M,T,W,H,F 9-10; for other times call or e-mail
Course Description:
Women's Studies 350Perspectives in Women's Studies will provide
an introduction to the issues, theories and methods of women's studies
scholarship, focusing on women's studies scholarship as a "doing" scholarship
about not just examining the world, but being in the world, actively.
This course changes somewhat from semester to semester, but this semester
we will examine issues of gender in contemporary culture. The course foregrounds
visual and narrative culture and ends with their intersection in writing
an electronic manifesto. This course offers introductory practice in the
politics, theories, and methods of women's studies. The course is organized
into four units that offer students the opportunity to undertake a variety
of kinds of research and action that constitute scholarly work in women's
studies while analyzing the effects and artifacts of visual and narrative
culture. In addition, students will be responsible for weekly reading
choices, discussion questions, and reading journals. This is a reading
and discussion coursebe prepared to do both of those things.
Course Objectives:
- provide opportunities to evaluate and critique the way the stories
and images of women in our culture both shape and reflect who we are
as women (and men).
- to introduce scholarship and issues that preoccupy researchers in
women's studies.
- to introduce interdisciplinary research and methods.
- to explore how gender as a category is always already (de)formed and
(mis)shaped by its intersections with other categories such as race,
class, sexuality, ability, etc., creating a web of simultaneously enabling
and constraining factors.
- to respond creatively and critically to ideas, issues, and attitudes
the course introduces.
Texts, Materials, and Expenses:
Required Texts (To order on-line, click
here):
Baumgardner, Jennifer and Amy Richards. Manifesta: Young Women,
Feminism, and the Future. New York: Farrar, Straus, and Giroux,
2000.
Daly, Brenda. Authoring A Life. Albany: SUNY P, 1998.
Guerrilla Girls. Confessions of the Guerrilla Girls. New York:
Harper Perennial, 1995.
Wolf, Naomi. The Beauty Myth. New York: Double Day, 1991.
Barbie Course Packet (3 copies available on reserve in library):
Lord, M.G. "Sex and the Single Doll." Forever Barbie: The Unauthorized
Biography of a Real Doll. New York: Avon Books, 1994. 44-.
Motz, Marilyn Ferris. "Seen Through Rose-Tinted Glasses: The Barbie
Doll in American Society. Common Culture. Michael Petracca
and Madeleine Sorapure, eds. Englewood Cliffs, NJ: Prentice Hall:
1995. 15-20.
Rand, Erica. "On our Backs, in Our Attics, on Our Minds." Barbie's
Queer Accessories. Durham: Duke U P, 1995. 1-22.
Thram, Hilary. "Barbie's Shoes." Poem.
Urla, Jacqueline and Alan Swedlund. "The Anthropometry of Barbie:
Unsettling Ideals of the Feminine Body in Popular Culture." Deviant
Bodies. Jennifer Terry and Jacqueline Urla, eds. Bloomington:
Indiana U P, 1995. 277-313.
Assignments and Grading:
All assignment sheets include explicit criteria for individual projects.
Your grade in this course is based on your work in the units you will
complete:
Unit 1 ManifestaYour definition of feminism20%
Unit 2 Writing FamiliesOral History/Family Photo Project20%
Unit 3 My Barbie, My BodyElectronic Group Project20%
Unit 4Rereading Histories Outrageous Act Group Project20%
Responsibility for reading activities (with partner)10%
Daily reading responses10%
Format for written assignments:
Projects must be professionally presented, with great care taken for
both writing and document design. I require that you always print a copy
of your paper for your records.
Attendance:
So much of what we do in this class is collaborative that you must
be here. Discussion, serious response, revelation and learning cannot
occur in situations where uninvolved strangers are dropping in and out
of class needing to be updated. People are counting on you to be here,
prepared during class, and also to meet regularly with your group for
your projects. If you can't be here, drop this class. If you miss more
than a week of class unexcused, I will ask you to drop the class. If there
are serious illnesses or family emergencies, contact your advisor or the
Dean of Students, who will help you by providing excused absences for
all your courses.
Due Dates:
The due dates on your assignment sheets are for your protection, to
help you balance your major work across the semester and receive feedback
from me quickly (within a week) so that you can revise your work. Although
you will not be penalized for late work, if you turn in work after the
date it is due, I do not guarantee timely feedback; therefore, you may
forfeit the opportunity to revise. As with all writing, I hope you will
revise your work after input from peers and me. Please turn in projects
in class and not into my mailbox, or under my door, or anyplace else where
they might be misplaced.
Plagiarism:
The work you turn in must be yours/your groups, must respect
the intellectual property rights of others, and must cite secondary sources.
For more details see: http://www.ndsu.nodak.edu/policy/335.htm.
Special Needs:
If you have any disabilities or special needs, or need special accommodations
in this course, please share your concerns or requests with me as soon
as possible.
Unit Calendar: (For a more detailed calendar, follow this link.)
|
UNIT
|
Reading Assignments
|
Written Assignments
|
|
UNIT 1:
Manifesta
20%
Four weeks
|
Baumgardner and Richards
six student-chosen articles
SCUM manifesto
|
Problem: Define feminism
|
|
UNIT 2:
Writing Families
20%
Four weeks
|
Daly
|
oral history paper |
|
UNIT 3:
My Barbie, My Body
20%
Four weeks
|
Wolf
Course Packet
Jackson hypertext
six student-chosen articles on bodies/health
|
Electronic Project
body narrative/artifact
(Group)
|
|
UNIT 4:
Re-reading histories
20%
Four weeks
|
Guerrilla Girls
Women in Music, Art, etc.
six student-chosen articles on women and education
|
Outrageous Act
Written description
(Group)
|
|
Final exam
|
|
|
Back to index |